SHORTBREAD stories is a FREE community website dedicated to revitalising the short story. For authors, it provides a showcase for their work, giving worldwide exposure, and for readers, it offers free access to short stories which can be read as a text document or if selected by our members listened to as an audio file.

From the website:
Shortbreadstories.com was founded by author Robin Pilcher and bookseller William Thomson to develop a concept for publishing short stories. As Robin Pilcher explains:

‘A few years ago, I attended a writer's workshop at a literary weekend in Glasgow and was bowled over by the quality of writing that was on offer. Every story was worthy of being published, but I knew that, at the end of that weekend, most of them would probably be shoved away in a bottom drawer and forgotten about. I left determined to find a way to let those voices be heard.

Shortbread is the result, a website designed specifically to be a showcase for writers and to make their stories available to a worldwide audience. So lets open up that bottom drawer and resurrect those hidden treasures.’

It's August in Edinburgh and the stage is set for some some strange goings-on at the famous Fringe Festival...

Robin Pilcher's Starburst is one of those rare hybrids - it's warm, it's funny, it's moving ... but it's also got a human and gritty edge that lifts it far above the more predictable heartwarming novels that now crowd our bookshop shelves.

Pilcher began his writing career in the shadow of his famous mother Rosamunde Pilcher who took the women's fiction market by storm with books like The Shell Seekers and Coming Home.

Pilcher writes in the same elegant prose as his mother and, in fact, his first books had distinct echoes of both her style and content but Starburst, one feels, is his first - and very successful attempt - to fly solo.

Set in Edinburgh during the famous Fringe festival, Scottish-born Pilcher takes to his subject with real gusto and panache. This is a man who knows and loves the annual eclectic arts extravaganza and his novel provides a revealing behind-the-scenes glimpse.

A group of people are drawn to the city for the forthcoming festival and meet for the first time, little knowing that the events of the long hot summer and the arrival of Anegelique Pascal, a talented and beautiful violinist, will throw their lives into turmoil.

Angelique is in Edinburgh to star in the festival's finale and her fiery spirit is already making waves.

Tired of being controlled by her overbearing tutor, she finds herself yearning for a moment's respite from both the constant touring and the restrictions of her celebrity status.

But Angelique is not the only person having a stormy week in Scotland. There's also retired cameraman Leonard who gets a second chance to shine, Yorkshire comedienne Rene Brownlow who accidentally stumbles upon a winning double act idea with her War of the Roses rival Matti from Lancashire and a young car thief called T.K. who is struggling to keep on the straight and narrow.

Played out against a backdrop of concerts, comedy acts and street performances, these characters' lives start to intertwine in unexpected and sometimes startling ways.

And when events take a sinister turn and Anqelique must flee in terror from all that she has known, she finds safety in the most unlikely places...

Pilcher handles his cross-section of regional and foreign accents with skilful artistry while finely tuning his characters and balancing an entertaining storyline which combines intrigue, passion, suspense and humour.

This is ultimately a story of the indomitable nature of the human spirit and its capacity to deal with all that life throws at us. It's an ambitious and compelling novel.

If novelist Robin Pilcher ever gets in a literary pinch, he doesn’t have far to go to get advice. His mother, longtime successful novelist Rosamunde Pilcher, lives about a mile away.

Robin calls his mother his "secret weapon."

"She took one look at my first attempts at writing and said, ‘Robin, you write dialogue. So everything you have to say, say it in dialogue.’" He continues: "So I went back home and said to myself, ‘Right! I’m writing a novel, but I’ll just work it like a screenplay. Imagine that you have 105 minutes to tell the whole story.’ What transpired, I hope, was a novel that flows like a page-turner."

That effort was the novel AN OCEAN APART. He says he used the same criteria when he started writing STARTING OVER. And it’s clear as one listens to the novel in audio that he followed his own advice. The story is dialogue-driven, yet the descriptive passages offer a solid sense of place. He continues that style in A RISK WORTH TAKING. In fact, RISK shares several traits with STARTING OVER. They both take place in Scotland. And both focus on taking control of one’s life and breaking with the past.

Pilcher spent several years as a documentary filmmaker. That career, he says, has influenced his writing in a roundabout way. "My experience behind the camera and understanding of the complexities of film gave me the perfect launching pad. I’m delighted that the film rights of AN OCEAN APART have been sold. It’s like everything coming full circle, to its rightful ending."

Pilcher loves to listen to audiobooks. "If I’m driving long distances, which we do quite often in Scotland, I always have one on."

But he says producing audios does not influence his writing. "That would be too much for my small brain to cope with," he says with a gentle laugh. "However, I think that my books do adapt quite well, simply because I work hard to bring them to reality. I imagine everything as if it were in film, and that has to be the nearest medium to audio production."—Richard C. Gotshall

The funny thing is that, when I was young, I was never too aware of Ros writing because she confined it all to termtime when we were away at school. Then during the holidays, she would stick her typewriter away and devote her time to her incredibly spoilt children! She was also, I think in retrospect, quite protective of that part of her life. We never sat around the kitchen table discussing her plots. We neither gave advice nor were we asked for it. Nevertheless, I think we were all pretty proud of her, even though in those days, she wasn't that well known. The fist book that I read of hers was Sleeping Tiger (that was the book that received the review in The New York Times which said 'Rosamunde Pilcher, where have you been all my life?'). It still remains my most favorite of hers, regardless of the worldwide success of the other books. You have to realize that by the time she hit the jackpot with The Shell Seekers, I was 37, so I never actually grew up with a bestselling author!

No, I never imagined myself for a moment being a writer, not because of any feelings of inhibition regarding my mother's success, but for the simple reason that I didn't think that I was particularly adept at the English language, having flunked all my exams with flying colors. However, the imagination was never stemmed as a result, and I'd find other outlets such as writing revue material or idiotic poems or song lyrics whatever came up, I'd turn my hand to it. When I left the army in 1969, I was given a number of contacts for jobs, those being in advertising, public relations and the documentary film industry. I did a copywritng test for the advertising agency and was actually offered a job. However, the film industry seemed at that time an exciting prospect, so I decided to follow a career in that. Six years into that job, it became apparent that the industry was dogged by union problems, so I left London and headed back to Scotland to farm.

How much did your mother's work influence your writing?

The key feature about her books is that they deal with real people, believable people, present day people. Readers can identify so easily with her characters, and she expresses her own poignant philosophy through those characters. That is what is captivating about her books. If I felt that I had grasped, either by genetics or through sheer graft, an iota of that formula, I'd be a happy man.

What inspired you to write this book?

I have always had a great affinity with films. Although I only worked as a documentary film cameraman, I loved screenplay and the disciplined framework in which it worked, as opposed to the rambling bounds of novel writing. I wrote a couple of pilots for TV, but never bothered doing anything with them. I was busy farming at the time. Then later, while I was working for a PR company in Edinburgh, Ros was approached by a Hollywood film company and asked to submit a screenplay treatment. She was working on September at the time, and asked me if I had any ideas. So when I started putting in together, the discipline that I worked on was making sure that her hallmark plot was stamped upon it - dealing with different generations in a family environment. Anyway, the long and short of it was that the film company was taken over, and the production team was changed, so the screenplay was banished to the floppy disc. However, seven years later, I decided to take a year's sabbatical and resurrect the story and see if I could write it as a book. The result is An Ocean Apart. I don't think that it would have ever been the first book that I would have chosen to write, but I can honestly say that what started out as a discipline in writing turned out to be a joy in creation.

Are any of the characters based on people in your own life?

No, not on anyone in particular. However, all the characters had faces in my mind, usually those of actors. For example, when I first started the screenplay, David was definitely Pierce Brosnan. This was before he hit the big time with James Bond, and I know that at that time, his wife had just died of cancer. His face sort of stuck with the character thereafter. Benji was the young boy who played Frances in the Disney film production of Swiss Family Robinson. He was just such an enthusiast.

Besides all that, in 1985, my wife Kirsty and I took our three children to Australia for five months, and while there, I did a few odd-jobs as a gardener. We also house-sat for a family who had a poodle called Dodie, and the song Dodie the Fun-Loving Poodle was penned as a result. No, I'm afraid that it's only Dodie who has been immortalized in the book!

Why did you decide to set part of the book in the United States, why Long Island in particular?

The plot was originally set in Australia, but then I realized that the logistics and timing didn't work. It was too far away. So I changed it to Long Island, because my sister and her family live there, and having visited them a number of times, I knew it quite well. But then I realized that the different cultures complemented themselves well in the characters. David, the reserved, self-effacing Scotsman, set against the confident, heart-on-the-sleeves world of the American people, resulting in each being able to help the other understand the good and bad points of their respective make-ups.

You 've had a variety of careers, including farmer, cameraman and public relations consultant. How have these dtfferent experiences influenced you as a writer?

Every experience has helped, because I have met such different people in each separate walk of life, and from these people, one draws one's characters. It's an amalgam - you just take a bit of this one and a bit from that and stick them together - like Plasticine! The one career, of course, that made me realize that I could actually write was public relations. Now that is a discipline one minute writing about the attributes of some obscure piece of machinery, the next creating a working outline for a corporate takeover. All in all, I don't think that I was ever ready to start writing fiction until the moment that I sat down at my desk almost two years ago and penned the first few words of An Ocean Apart.

What has the reaction been from family and friends?

To the book or to my taking up writing? With regards to the latter, Kirsty and the children have been totally supportive, and they have definitely helped. You have to draw on their experiences and their thoughts, because the outlooks and standards of differing generations change constantly, so I don't think that one can be expected to understand how each character would react to any given situation. Alice (19), in particular, was brilliant with Sophie's character helping to strengthen her just that little bit. As for the former, Kirsty, Oliver (22), and Alice have read it. I think it's all right, because I haven't been coshed with a wet haggis by any of them yet!

As for friends, I have kept the fact that I'm writing a book as quiet as I can. If I meet someone out in the evening and they ask me what I do, I usually just say 'Public Relations.' That's usually a conversation stopper. Once the book is actually published, I think that I might then start saying that I'm a writer.

What's next for Robin Pilcher?